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From the Writer's Bag of Tricks

Trick #1: The sympathetic character
Always make your protagonist the most sympathetic character in the story. Remember that the reader unconsciously judges her every action (and every word), and in order to care about what happens to her, must like her.
(excerpted from an e-mail to A Writer Friend) She -- the sympathetic character -- allows us to look at all the other nasty, crazy characters in the story from a safe space.  That's why I wrote THE BORGIA BRIDE from Sancha's point of view instead of Lucrezia's.

Think about Lucrezia:  having sex with her father and brother, allowing her husband to be killed... we'd be throwing the book across the floor screaming, "Lucrezia, you slimewad!  Why should I care about anything you want to tell me?"  But if you read along, you'll see that Sancha -- even though she has frailties -- is noble, brave, strong.  When she cheats on her husband, it's ONLY because we've already seen, in the most graphic possible way, that he cheats on her and is horribly weak and worthless.  I could never have had Sancha have an affair with Cesare (which she really did, historically) if I hadn't made up that scene of Jofre having sex with whores.  That was pure invention, and I did it and made it as revolting as possible to show how good Sancha was, and how patiently she endured her husband's infidelity.  That way, when she falls for Cesare and tumbles into bed with him, the reader shrugs and says, "Yeah, well, her husband is a major asshole, poor dear."  If Jofre had been true blue, they all would have said, "The no-good bitch."

There are probably a hundred "tricks" I use that I no longer even think about consciously to make the reader admire my hero.  You can make your protagonist do anything -- kill, for example -- but only if the reader truly sympathizes with her reasons for doing it.  

When you watch movies or read books from now on, start paying attention to *when* you start liking the protagonist and *why*.  If you never like the protagonist, chances are you'll stop watching or reading early on.

Comments (7)

Lisa Thompson:

When I started inhaling "The Borgia Bride," I could not believe that so many of the facts about Alexander VI were true. When I looked him up on the Web, I soon learned that most of your book was indeed true.

I must tell you I bawled when Sancha endured the loss of you-know-who (I won't give too much away). Your tale of the malignancy that infected the Borgias was masterful and riveting. I loved this book even more than "I, Mona Lisa," and I'm looking forward to reading more of your works.

I'm a writer myself, mostly nonfiction. I read a lot, and appreciate truly beautiful writing. I will remain one of your biggest fans.

Lisa,

Thanks so much for the kind words. I really felt I had to write an afterword for that book, because the Borgias did so many unbelievable things -- I wanted the reader to realize that these acts weren't the result of my hyperactive imagination.

I think the historical novelist's job is to take a bit of dry material: "Look, this character and her brother married into the same family" -- and without much information about either (not knowing whether they hated each other or were indifferent to one another) create a relationship between the characters that works. That's what gives a story heart.

James Williams:

I know that it`s been a few years since you wrote the trilogy "The Diaries of the Family Dracul", but I must say that it`s a very spellbinding read. I seldom read fictional works, but yours is excellent. Excellent in the sense that your style of writing is such that I can visualize, can see in my mind in vivid details the characters and what they`re doing and how they think. Whether a writing is fictional or not, in my opinion, a descriptive writer is a good writer; one who can make you personally live the story. I have personally read the book "Dracula Prince of Many Faces" by Radu Florescu and Raymond McNally. I have a first copy edition. Your research was great. I`m also familiar with "Goetia, The Lesser Key of Solomon" which you mentioned in The Diary of Abraham Van Helsing 23 January from "Children of the Vampire". I also have a copy of that too for my own researches. I`ve enjoyed this vampire trilogy very much. Thank you.

eiren:

hi there, just wanted to say that have just read the borgia bride and loved it i found it beautifully written and thought provoking and full of what ifs, i cant stop thinking about it i am an avid reader of historical romance and have to say its one of the best ive ever read, i also wanted to ask do u think that cesare truly loved sancha? and do u think things could have changed for the best i mean if she had to have left jofre and married cesare? do u think her brother still would have lived? or would he have corrupted her and made her miserable and her brother die none the less? i cant wait to read more of your books im a big fan already!

Eiren,

I'm so glad you enjoyed THE BORGIA BRIDE. But wow, what questions! I'll try to answer, but there are a lot of possible scenarios. Do I think Cesare truly loved Sancha? Yes, as much as a twisted self-centered murderer can actually love someone -- and NO, I think her marrying Cesare would have been a horrible mistake, and would not have changed Alfonso's fate.

anna:

I LOVED The Borgia Bride. You are a truly exceptional writer. I have been trying to find more information about Sancia on the Internet, but have come across very little. Any suggestions?

Hi, Anna,
Unfortunately, there's very little information available on Sancha/Sancia of Aragon. Most of my information came in bits and dribbles from out-of-print books I found in the UCLA library. It's been a few years, and unfortunately, I can't remember the titles. I do remember they dealt with the history of Naples, and the parenthetical references to Sancha always came in connection to her father, the King.

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